TY - JOUR
T1 - The existence of waranggana in tayub ritual
AU - Novitasari, Rifni
AU - Ninsix, Retti
AU - Usanti, Trisadini Prasastinah
AU - Adiansha, Adi Apriadi
AU - Soesantari, Tri
AU - Said, Mochammad Fauzie
AU - Hehamahua, Hayati
AU - Hanapi, Hanapi
AU - Indrayani, Nanik
AU - Kubangun, Hamdani
AU - Musa, Muhammad Nur Deny
AU - Nirwana, A. R.
AU - Bugis, Ringgi Qomaria
AU - Marasabessy, Roos Nilawati
AU - Tuaputy, Una Selvi
AU - Widyawati, Nur
AU - Prastyorini, Juli
AU - Wali, Martini
AU - Nugroho Dwi, P.
AU - Soedarmanto, Soedarmanto
AU - Umanailo, M. Chairul Basrun
N1 - Publisher Copyright:
© International Journal of Scientific and Technology Research. All rights reserved.
PY - 2019
Y1 - 2019
N2 - Tayub is a social dance that is the entertainment of commoners and scattered almost all corners of Java, one of which is still active in the village of Ngringo, Karanganyar Regency. In the ritual process the Tayub became the center of attention due to cultural symbols attached to each of its existence. The research was conducted in Ngringo village, Karanganyar Regency. Data on research is obtained from primary data sources and secondary data, with the data collection techniques used through observation, interviews, questionnaire and sample study/document studies conducted Purposive. The results showed that. Tayub dance that serves as a dance for fertility where the waranggana dancing in pairs with males is merely a symbol, which is a woman representing the earth or farmland, and males represent the seeds (rice) in Jwa terms Known as the t erms of the celestial father and Mother Earth, the union between the two in the form of rain that will descend to bring fertility. The shifting of the inherited functions from sacred rituals to consumptive rituals resulted in the existence of the community being increasingly negative by the public because it was deemed only sexual exploitation.
AB - Tayub is a social dance that is the entertainment of commoners and scattered almost all corners of Java, one of which is still active in the village of Ngringo, Karanganyar Regency. In the ritual process the Tayub became the center of attention due to cultural symbols attached to each of its existence. The research was conducted in Ngringo village, Karanganyar Regency. Data on research is obtained from primary data sources and secondary data, with the data collection techniques used through observation, interviews, questionnaire and sample study/document studies conducted Purposive. The results showed that. Tayub dance that serves as a dance for fertility where the waranggana dancing in pairs with males is merely a symbol, which is a woman representing the earth or farmland, and males represent the seeds (rice) in Jwa terms Known as the t erms of the celestial father and Mother Earth, the union between the two in the form of rain that will descend to bring fertility. The shifting of the inherited functions from sacred rituals to consumptive rituals resulted in the existence of the community being increasingly negative by the public because it was deemed only sexual exploitation.
KW - Existence
KW - Ngringo
KW - Ritual
KW - Tayub
KW - Waranggana
UR - http://www.scopus.com/inward/record.url?scp=85074331089&partnerID=8YFLogxK
M3 - Article
AN - SCOPUS:85074331089
SN - 2277-8616
VL - 8
SP - 1998
EP - 2003
JO - International Journal of Scientific and Technology Research
JF - International Journal of Scientific and Technology Research
IS - 10
ER -